For the last quarter-century, singer Mary Black has been a dominant presence in Irish music, both at home and abroad. She has shared stages, tv shows and recording studios with some of the most revered performers of her time. She has also played a frontline role in bringing Irish music, past and present, to an increasingly appreciative and ever-growing global audience. The San Francisco Chronicle has described her as "One of the best interpretative singers around".
At a time when less adventurous performers preferred to stick exclusively to the well-worn ballads from Ireland’s rich music heritage and the more obvious hits from contemporary writers, Mary explored the best work available from new composers and mined the rich seams they offered. That commitment to fresh material, combined with her unique interpretations of the songs she chooses, saw her release numerous albums that achieved platinum sales status and spawned countless hits.
To the acclaim and awards Mary has received over the years from both the public and the critics must also be added the esteem she has generated from her fellow artists. Indeed, many of them have recorded and performed live with her, including Emmylou Harris, Mary Chapin Carpenter, Joan Baez and Van Morrison, not to mention a host of Irish traditional musicians and singers. Along the way she has also recorded and performed with her siblings in The Black Family and with her highly successful sister Frances.
Coming from an intensely musical family, with her mother a fine singer and her father an entertaining fiddle player, Mary first came to the music public’s attention in the late ‘70s as a member of the group General Humbert with whom she recorded and toured. In 1983 she teamed up with guitarist/producer Declan Sinnott (later to become Christy Moore’s musical sidekick) and released her eponymously-named debut solo album. It reached No. 4 in the Irish charts and is ranked among the best Irish albums of the early 1980s. It won her the Irish Independent Arts Award for Music, the first in a staggering sequence of awards that continue to come her way.
Mary then joined an early incarnation of the legendary Irish folk group De Danann, with whom she made two acclaimed albums. She re-united with Declan Sinnott (formerly of the pioneering Horslips) to record her second solo album "Without the Fanfare" in 1985. That album achieved gold sales status. 1987 saw the release of her first multi-platinum album "By the Time it Gets Dark" and lead to The Telegraph in the UK describing her voice as "serene and achingly beautiful". By now a household name throughout Ireland, she was named Entertainer of the Year in 1986 and Best Female Artist in 1987 and 1988.
But her popularity reached a new level with the release of the pioneering album "No Frontiers" in 1989. It generated triple-platinum sales as Mary's reputation began spreading far beyond her native shores to Europe, Australia, Japan and the USA, thanks to her superb stage shows and the success of her recordings in those markets. "Babes in the Wood" came in 1991, arriving in the Irish charts in the No 1 slot, and was followed by two sell-out shows at London’s prestigious Royal Albert Hall. Her UK concerts prompted hugely positive reviews from The Guardian, The Times and The Telegraph. She was also featured on the cover of the US music trade magazine Billboard - which described her as "a firm favorite to join the heavy-hitting ranks of such Irish artists as Enya, Sinéad O’Connor and Clannad's Máire Brennan in the international marketplace.” They were right.
Not surprisingly, her next album "The Holy Ground" in 1993 went platinum on the day of its release, followed by five sell-out shows at the Point Theatre in Dublin to an audience of 20,000. Her next album Circus in 1995 entered the British top 20 album charts. But ever one to seek new challenges, Mary invited renowned American producer Larry Klein to produce her 1997 album Shine which she recorded in Los Angeles.
"Speaking with the Angel" followed in 1999, her unerring ear for quality contemporary songs unearthing new material by composers of the vintage of Shane Howard, Noel Brazil and Steve Cooney. As Ireland’s leading music magazine Hot Press said: “If it is a benchmark in excellence that you seek, a life-affirming statement, then this is the album for you. Staggering stuff.”
In 2002 Mary was the subject of the revealing documentary "Still Believing". It celebrated her extraordinary life in music, tracing her progress from her birthplace in Dublin’s inner city on a journey that has seen her conquer the musical world. Its recording was followed by a video of Mary and her band filmed on the final night of a triumphant week-long run at the Olympia Theatre in Dublin – one of Mary’s favourite venues. (The documentary and the live show were released together as Mary Black Live and accompanied by a live audio CD recorded at various venues around the world.)
In 2005 Mary moved to West Kerry to record her first studio album in six years, "Full Tide". It not only included songs by some of her favourite writers such as Bob Dylan, but it saw her make her debut as a composer in her own right. As Hot Press magazine said of it, “Mary Black is just hitting her vocal prime, singing with a newfound ease and confidence”.
2008 marked the 25th anniversary of Mary's first solo album, and to celebrate the momentous occasion Mary released a special compilation double album "25 Years/25 Songs". It featured a personal, hand-picked selection of gems spanning Mary's career and it still serves as a testament to the extraordinary range and quality of both her vocal prowess and her astute song selection. Mary recorded two brand new songs for the project, and the album went straight to No. 1 in the Irish charts.
The British magazine What Hi-Fi? considers Mary Black's voice to be so pure that they have repeatedly used it for comparing the sound quality of different high fidelity systems. In an industry noted for its fickleness and its almost insatiable need for fresh novelties, Mary Black’s enduring successes have proven that her depth of talent and her love of singing transcend the generations, as well as national and musical boundaries too. She is indeed a real Irish treasure and her talent a gift from this small Ireland to a grateful world.