"I love timeless songs," says Charley Crockett. "I've always believed that the more timeless songs you learn how to play, the more timeless songs you can write."
Crockett's unique approach to American roots music — a mix of Texas blues, classic country and Cajun soul — has earned him an audience on both sides of the Atlantic. Long before he toured the country in a bus once owned by Willie Nelson, though, he cut his teeth as a street performer, busking on the corners of New Orleans and the subway cars of New York City. It was a hands-on musical education. Surrounded by the chaotic noise of city life, Crockett learned how to project. He learned how to hold a crowd's attention. Most importantly, he learned a long list of classic songs from the jug bands, brass players and fellow songwriters with whom he shared the street. Filled with vivid storytelling, raw honesty and rich southern heritage, those classic tunes would eventually inspire his own original music.
He pays tribute to those busking days with Lil G.L.'s Blue Bonanza, an album stocked with Crockett's own interpretations of old-school country songs and half-forgotten blues gems. Featuring 15 songs originally performed by George Jones, Ernest Tubb, T-Bone Walker, Jimmy Reed, Charles Brown, Lavelle White, Ray Charles, and others, Blue Bonanza shines a light on a modern musician with traditional roots. It's also the second release in his ongoing Lil G.L. series, following 2017's Lil G.L.'s Honky Tonk Jubilee.
"The roots of the street are deep in this album," says Crockett, who co-produced Blue Bonanza during two days of inspired, live-in-the-studio recording. He tracked the songs with his road band, capturing the chemistry generated by a year of heavy touring. Together, Crockett and company decorated these songs with upright bass, electric guitar, mandolin, pedal steel and Wurlitzer, combining acoustic and amplified instruments into the same retro-minded mix. "There's a lot of accordion and trumpet here, too," the frontman adds, "and that comes from me playing with brass bands in New Orleans. You've got all that brass and soul in the New Orleans sound, but you've also got that street sound. I heard a lot of jug bands doing old-school music down there, and I'm just trying to keep that old sound together."
It was blues music that ultimately brought Crockett back home to Texas. Raised in rural San Benito by a single mother, he left the Rio Grande at a young age and embarked upon a life worthy of his ancestor, American folk hero (and fellow wanderer) Davy Crockett. Charley worked on farms in California. He lived on the streets of Paris. He wandered his way through North Africa. Returning to Texas after a decade of street gigs and subway performances, he found a state bursting with new musical opportunities. He also found a kindred spirit in Jay Moeller, a legendary Texas musician steeped in similarly bluesy influences. It was Moeller who began calling Crockett "Lil GL," a nickname modeled after GL Crockett — an obscure 20th century musician who, like the young Charley, built his reputation upon a mix of classic country twang and raw, bluesy bang.
"When people ask me what I do, I tell them I play Texas and Louisiana music," he says proudly. "People call me a stylistic chameleon, and I like that. This is soul music. It's blues. It's country. It's just music."
All reserved floor and balcony seats $12 advance; $15 day of show.
Limited box seats $30 (includes concessions with ticket; present at lobby counter when ordering)